This article investigates the role of the darkroom in the experiences of British amateur photographers who, between the 1880s and 1900s, chose to process their negatives themselves while travelling. It focuses, in particular, on the reasons underpinning the development of a network of facilities for changing and developing plates available to tourists, and on how photographers’ engagement with t...
2 years ago
Wearable energy harvesting methods have been increasingly researched over the past decade. Due to demands for finding suitable ways of powering wearable devices suited to garment contexts, yarn-based “components” gather increasing interest. However, the focus of textile properties of energy harvesting components often place emphasis on functional performance and limited elements concerning wea...
2 years ago
Weiwei Wang
Weiwei Wang
Institution: Science and Technology College Gannan Normal University,
Email: info@res00.com
Nowadays, art design majors are offered in all art colleges and universities in China, but the students and teachers of this major often do not have a deep understanding of art design, which hinders the folk art inheritance of Chinese art design students. This paper explains folk art and art design, analyzes its characteristics, puts forward the problems of folk art inheritance in China, and puts ...
2 years ago
The following pages are four out of the fifteen graphic pages ‘Papiers Voisins’, in my PhD thesis Reading in
Performance, Lire en Spectacle: The solitude of reading merged with the collective nature of an audience (2021).
Through my practices as a spectator, a participant of a performing arts works, a reader of performance
documentation and a choreographer I collect visual elements that ...
2 years ago
ȘTEFAN GAIE
ȘTEFAN GAIE
Institution: niversity of Oradea, Romania, Department of Arts:
Email: stgaie@yahoo.com
Rising in an extremely troubled context in the first decades of the 20th century, the so-called radical avant-garde (especially Futurism, Dadaism, Suprematism and Constructivism) obsessively pleaded for a “new beginning”, a real “restart” of art. Its discourse, both theoretical, of the avant-garde manifestos, and visual, aimed at giving alter...
2 years ago
Paul Haynes
Paul Haynes
Institution: School of Business and Management, Royal Holloway,
Email: Paul.haynes@rhul.ac.uk
Cultural appropriation, as both concept and practice, is a hugely controversial issue. It is of particular importance to the arts because creativity is often found at the intersection of cultural boundaries. Much of the popular discourse on cultural appropriation focusses on the commercial use of indigenous or marginalized cultures by mainstream or dominant cultures. There is, however, growing awa...
2 years ago
Why has the Jewish-Romanian identity of the Dadaists Tristan Tzara, Marcel Janco, and Arthur Segal been overlooked or critically unexamined in art historical discourse? Until recently, this significant and complicated identity warranted a brief mention
in biographical and Dada studies, such as in those of Robert Motherwell (1951), George Hugnet (1971) Harry Seiwert (1996)
and François Buot (2...
2 years ago
It does not happen very often that one short paper opens an entire new subfield of a philosophical discipline. But this is exactly what Peter Kivy’s 1990 paper “The Profundity of Music” achieved. In a couple of years after Kivy’s paper appeared, all philosophers of music, who previously, like Charles Swann in Marcel Proust’s novel (Proust (1913) 1992), would have found it difficult to ut...
2 years ago
Anna Orrghen
Anna Orrghen
Institution: Department of History
Email: info@res00.com
On December 20, 1999, the Swedish national monument, celebrating the turn of the millennium, was inaugurated by His Majesty King Carl XVI Gustaf (Fig. 1).1 The monument was a collaboration between artists, architects, and engineers, and it was erected on behalf of the Millennium Committee set up by the Swedish government. The commission to realize the monument was given
to Chalmers University of ...
2 years ago
Jussi A. Saarinen
Jussi A. Saarinen
Institution: unstated
Email: info@res00.com
Art museums are built to elicit a wide variety of feelings, emotions, and moods from their visitors. While these effects are primarily achieved through the artworks on display, museums commonly deploy numerous other affect-inducing resources as well, including
architectural solutions, audio guides, lighting fixtures, and informational texts. Art museums can thus be regarded as spaces that are de...
2 years ago