"Speculation and Counter-Speculation" by Joshua Simon, published in MaHKUscript. Journal of Fine Art Research in 2019, examines how financial speculation and disruption have become defining traits in contemporary artistic and political imagination. Simon discusses the shift from value to price, labor to debt, and revolution to disruption, highlighting how finance capital's emphasis on managing risk influences various fields, including art. He introduces the concept of "counter-speculation," suggesting that while speculation generates extreme models within the current system, counter-speculation invites potentials for actualization, offering new horizons for political imagination beyond finance.
The article explores how financial speculation and disruption have become central to contemporary artistic and political imagination, analyzing shifts from value to price, labor to debt, and revolution to disruption.
Simon introduces "counter-speculation" as a concept that invites potentials for actualization, offering new horizons for political imagination beyond the constraints of finance-driven speculation.
Simon discusses how finance capital has shifted focus from production-based labor to debt as the main generator of value, impacting both economic structures and cultural expressions.
The article examines how the logic of financial speculation influences contemporary art, with institutions adopting disruption as a branding strategy and artists engaging with themes of speculation and risk.
Simon highlights that modern finance capital prioritizes managing risk over providing security, a paradigm that extends into various cultural and artistic domains, shaping contemporary imagination.
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