"The Citizen of the World" is an essay by Natasha Ginwala, published in MaHKUscript. Journal of Fine Art Research in 2016. Ginwala examines the concept of 'experimentality' before the professionalization of science, focusing on 19th-century visual apparatuses and literary fiction's role in revealing social truths and political attitudes. She discusses Oliver Goldsmith's "Letters From A Citizen of the World," highlighting its use of epistolary fiction to provide social commentary on 18th-century England through the perspective of a fictitious Chinese philosopher-traveler. Ginwala also explores the stereoscope's development, emphasizing its impact on visual perception and its role in merging distinct viewpoints to create a sense of dimensionality. The essay delves into how such hybrid figures and technologies challenged disciplinary boundaries, contributing to the intersections of empirical and rational experiences that shaped Western modernity.
The essay explores the notion of 'experimentality' prior to the professionalization of science, examining 19th-century visual apparatuses and the role of literary fiction in revealing social truths and political attitudes.
Ginwala discusses Goldsmith's work as an example of epistolary fiction that provides social commentary on 18th-century England through the perspective of a fictitious Chinese philosopher-traveler, highlighting the blending of familiar and unfamiliar viewpoints.
Ginwala examines the stereoscope's development as a visual apparatus that merged distinct viewpoints to create a sense of dimensionality, challenging traditional perceptions and contributing to the intersections of empirical and rational experiences in Western modernity.
Ginwala's essay delves into how hybrid figures and technologies, such as the stereoscope and literary fiction, challenged disciplinary boundaries and contributed to the experimental approaches that shaped Western modernity.
Ginwala argues that literary fiction serves as a medium for revealing relevant social truths and political attitudes, often unfolding scientific dramas and oppositional models of thought that influence the course of Western modernity.
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