Art Research Articles

‘Papiers Voisins’, Stories of Entangled Documentations

The following pages are four out of the fifteen graphic pages ‘Papiers Voisins’, in my PhD thesis Reading in Performance, Lire en Spectacle: The solitude of reading merged with the collective nature of an audience (2021). Through my practices as a spectator, a participant of a performing arts works, a reader of performance documentation and a choreographer I collect visual elements that ...
2 years ago

The Radical Avant-Garde and the Obsession for a New Beginning

Rising in an extremely troubled context in the first decades of the 20th century, the so-called radical avant-garde (especially Futurism, Dadaism, Suprematism and Constructivism) obsessively pleaded for a “new beginning”, a real “restart” of art. Its discourse, both theoretical, of the avant-garde manifestos, and visual, aimed at giving alter...
2 years ago

The Ethics and Aesthetics of Intertextual Writing: Cultural Appropriation and Minor Literature

Cultural appropriation, as both concept and practice, is a hugely controversial issue. It is of particular importance to the arts because creativity is often found at the intersection of cultural boundaries. Much of the popular discourse on cultural appropriation focusses on the commercial use of indigenous or marginalized cultures by mainstream or dominant cultures. There is, however, growing awa...
2 years ago

Between Zurich and Romania: A Dada Exchange

Why has the Jewish-Romanian identity of the Dadaists Tristan Tzara, Marcel Janco, and Arthur Segal been overlooked or critically unexamined in art historical discourse? Until recently, this significant and complicated identity warranted a brief mention in biographical and Dada studies, such as in those of Robert Motherwell (1951), George Hugnet (1971) Harry Seiwert (1996) and François Buot (2...
2 years ago

Looking for Profundity (in All the Wrong Places)

It does not happen very often that one short paper opens an entire new subfield of a philosophical discipline. But this is exactly what Peter Kivy’s 1990 paper “The Profundity of Music” achieved. In a couple of years after Kivy’s paper appeared, all philosophers of music, who previously, like Charles Swann in Marcel Proust’s novel (Proust (1913) 1992), would have found it difficult to ut...
2 years ago

From Visions of Technological Progress to Technological Ruins: The Swedish Millennium Monument and the Challenges of Preservation of Digital Public Art

On December 20, 1999, the Swedish national monument, celebrating the turn of the millennium, was inaugurated by His Majesty King Carl XVI Gustaf (Fig. 1).1 The monument was a collaboration between artists, architects, and engineers, and it was erected on behalf of the Millennium Committee set up by the Swedish government. The commission to realize the monument was given to Chalmers University of ...
2 years ago

How Museums Make Us Feel: Affective Niche Construction and the Museum of Non-Objective Painting

Art museums are built to elicit a wide variety of feelings, emotions, and moods from their visitors. While these effects are primarily achieved through the artworks on display, museums commonly deploy numerous other affect-inducing resources as well, including architectural solutions, audio guides, lighting fixtures, and informational texts. Art museums can thus be regarded as spaces that are de...
2 years ago

Fictional Creations

Many people assume that fictional entities are encapsulated in the world of fiction. I show that this cannot be right. Some works of fiction tell us about pieces of poetry, music, or theatre written by fictional characters. Such creations are fictional creations, as I call them. Their authors do not exist. But that does not take away that we can perform, recite, or otherwise generate actual instan...
2 years ago

Hell’s Kitchen Paintings

I take photos on my phone. I use the photos as an atmospheric reference to go back to. Impressed with the empty streets of Hell’s Kitchen, my home for the last twenty years, I started taking photos as I walked my dog. Hell’s Kitchen had recently been overrun by Times Square and luxury apartments. Here was a chance for me to come to terms with the place through an emptied-out landscape. Despite...
2 years ago

On ludic photography

This article explores “the play element in photography”, to adapt a key phrase from Johan Huizinga’s Homo Ludens (1938). The context for this exploration is the melancholic paradigm that dominates much of contemporary writing and thinking about vernacular or popular photography, a paradigm that emphasises memory, death and mourning, at the expense of other practices and dispositions, not lea...
2 years ago

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